
Then a filler and few coats of water based lacquer.
I hit a hurdle though after polishing out the sprayed on water-based lacquer, which I have used successfully in the past. I discovered I really didn’t like the appearance of it on the Macassar ebony. Somehow the finish cheapened that gorgeous wood. So, off came the finish with a scaper.
I decided French polish was the way to go so this guitar ended up with a fully French polished body. It was a lot of extra effort, but very worthwhile. Here you can see my supplies: pounce bag with pumice, garnet shellac for a bit of toning, super blonde shellac, alcohol, mineral oil, and pad. The bridge is masked off and the fret-board area as well.
With the body finished, I completed the bridge and got that glued on. Here’s my template, layout, roughing, and the nearly finished bridge:
String it up and call it done!
I’ve played the guitar a bit and wow! This is the best finger-style guitar I have made to date: excellent neck feel, spot on intonation, sustain that seems to go on forever and punchy volume. It’s still a bit brassy, but I expect that to mellow out quickly with a bit more playing in.
Updated: this one sold to Michael Kline, friend and fine singer and picker.
Until next time
df
You are the best of the best.
That’s much better than “the worst of the best” or “the best of the worst”, but I do think you exaggerate a little.
hi i was wondering what wood you made your guitar out of
The top is Englemann spruce and the back is Macassar ebony.